How Did Art in Russia Change After the Conversion?

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an fine art history form or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, nigh of what we learn near art history today still centers on white men from Europe and, later, the United states of america. In reality, there are so many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a await at only some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its most unsung heroes, these women artists all had a manus — and, in some cases, yet have a hand — in irresolute the globe of fine fine art and how nosotros define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney Academy in Pennsylvania for more than xxx years. Later studying the work of painters like Cézanne and Monet while away, she returned to the Us, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Film Stills (1977–eighty). series. Photos Courtesy: Museum of Modern Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Movie Stills (1977–80) — self-portraits in which Sherman "posed in the guises of diverse generic female film characters, among them, ingénue, working daughter, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A nevertheless from the operation Cutting Slice, 1964, and a picture of the installation Half-A-Room, 1967, as seen at the Museum of Modern Fine art in New York City in 2015. Photos Courtesy: Museum of Mod Art (MoMA)

You might starting time think of Yoko Ono as a musician and activist, but she's as well an accomplished performance and conceptual creative person. Ono was considered a pioneer in the performance art move, earning the nickname the "Loftier Priestess of the Happening".

1 of her almost revered works, Cut Piece, was a performance she offset staged in Nihon; Ono sat on stage in a dainty accommodate and placed scissors in front of her, and, in an human action of daring vulnerability, invited audience members to come on phase and cut away pieces of her clothing. "Art is similar animate for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar'due south Blackness Girl's Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in plough, role of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If y'all can get the viewer to look at a work of art, then you might be able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology'southward rare to find someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from United mexican states, she is all-time known for exploring themes like death and identity through her self-portraits. Kahlo ofttimes used assuming, bright colors to create her symbol-rich works, and was regarded every bit i of the well-nigh influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's also known for her hyper-real sculptures, polka dots, installations, and and so much more than. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilize mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that yous recognize Sherald'southward work — and her signature grayscale skin tones — as she was the get-go Black woman to complete a presidential portrait for the Smithsonian'south National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Serial Ruddy With Xanthous in Albuquerque, New United mexican states. Photograph Courtesy: Tony Vaccaro/Getty Images

Known every bit the female parent of American modernism, you likely associate Georgia O'Keeffe with her paintings of New United mexican states's landscapes, flowers, skulls, and, simply perhaps, the skyscrapers of New York Metropolis. In the 1920s, she was the first adult female painter to proceeds the respect of the New York art earth, all by painting in her unique way.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor'due south biennial exhibition All the World'due south Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Urban center. She used her piece of work to question society, identity, and racial politics by demanding the audience to face truths almost themselves. She oft challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed every bit a Blackness human being with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'due south poses in front of a photograph in her exhibition Our Firm Is on Burn at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship between Islam'south cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer'south work focuses on words and ideas, which she puts on advert billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human action equally meditations on diverse concepts, such as trauma, cognition, and hope. One of her more notable works, I Scent You On My Pare, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (AGO)

Much of Rebecca Belmore'due south art addresses identity and history — and, in particular, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic N American culture. In 2005, she was the first Ethnic woman to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation fine art and sculptures — like the spider above — which were inspired by her ain experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when brainchild and conceptual art were the main styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Niggling Gustatory modality Outside of Beloved, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular civilization and popular fine art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Fine art movement. As exemplified in her iconic work The Dinner Political party, her installation pieces ofttimes examine the part of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art program in the United States.

Augusta Fell

Augusta Roughshod with one of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating scenic sculptures, oftentimes of Black folks, Roughshod founded the Brutal Studio of Arts and crafts in Harlem in 1932, and, a few years subsequently, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative operation art practices, Carolee Schneemann is considered the progenitor of "body art". (Just wait upward her most famous work, Interior Curlicue, and you'll come across what we mean.) She used her body to examine women'south sensuality and liberation from the oppressive artful and social conventions established by our patriarchal lodge.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional ability relations. In improver to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'southward Marilyn Monroe (1967) by Elaine Sturtevant. Photograph Courtesy: Ben Stanstall/AFP/Getty Images

Does this look similar an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went past her concluding proper noun professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-correct copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Yet, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art civilization.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's last public committee was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Globe War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing and so, displays diverse subcultures in formal portraits — only in a mode that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

All the same from Sin Sol (No Sunday) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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